PORTAL RADIO /// LIVE RADIO FROM BRAZIL !
(clik on the jpeg to listen the radio .................................................;...........................................................................;We broadcast from Brazil and across the globe. Welcome listeners and encourage them to join our ever growing community.......................................................................................................................;; Bienvenu mes ami(e)s !!! une bonne nouvelle , toute la musique est avec nous ! E N J O Y and be shock .......................... ...............................................maybe it can made a change in your life !!!. ...................................................................................... our Deejay 'The 'D' Touch aka Tonton Décibel lll
CLIK ON 'PLAY' TO LISTEN MORPHER RADIO From UK
Jazz/Funk/Soul/Disco MUSIC ////...........................we all have one great thing in common : '''' The M u s i c''''
vendredi 20 novembre 2009
jeudi 19 novembre 2009
J.M. Black - Lipstick (2000MWATTS)

1982 TO 2009 with the beat funk french of J.M. Black
member of Overdrive in 1980 with the two brothers Accardo
a another french band with the very good scd single "Taste"
Spécial edit / remix here
J.M. Black - Lipstick (2000MWATTS) radio by Tonton Decibel lll
lundi 16 novembre 2009
dimanche 15 novembre 2009
mardi 10 novembre 2009
Jackie Stoudemire - Flying high // 1982
Jackie Stoudemire - Flying high // 1982 by Tonton Decibel lllGene Redd , Nathaniel Yisrael & Jackie story :
Like the other youth Yisrael recruited, Stoudemire grew up in Harlem, not far from the temple, and attended the High School of Music & Art with Annette Denvil.
By 1982 standards, Jackie was patently hip, hanging with schoolmates Dana Dane and Slick Rick’s Kangol Crew.
In Jeremiah’s eyes, she combined the perfect trait set: mature talent and work ethic with youth and impressionability.
Within a few months, she was in-studio with Redd and Yisrael, where she would spend the lion’s share of 1982.
Jeremiah was putting significant dollars into the recordings, using dozens of musicians for every session (purportedly Barry White’s Love Unlimited Orchestra), sometimes spending weeks perfecting the backing tracks.
He upgraded studios, recording primarily at Right Track and Power Station, neither of them known for their affordability.
The raw sound of Arnie Love’s Mayfair session just a year before became a distant memory. Ten songs were recorded over the course of the year, including a remake of Love’s “Invisible Wind,” with crisper strings and a simpler arrangement.
Jackie’s voice was cool and sure, not a hint of her age coming through the mix.
The real nugget was “Guilty,” one of the last songs Gene Redd would ever pen and some of the finest production work in a career that spanned four decades.
Stoudemire was totally immersed in Jeremiah Yisrael’s life, even picking up shifts at T&T for walking-around money.
Naturally, Jeremiah insisted that she join the temple.
She attended a service, but it clearly wasn’t her scene.
The sect forced subservience on women through dress and required them to walk three paces behind the men—concepts alien to a child of 70s New York City.
At the time, Jackie’s choice was no problem for Jeremiah.
They logged eight to ten hour days in the studio, culminating at the beginning of 1983 when her 12” was given a limited issue on the Tap label, along with the Missy Dee & the Melody Crew 12” (relegated to the Universal label, to separate it from the more polished material).
Again, lack of distribution and promotion killed the pressing, but Jackie still felt good about it. For a woman of any age, it was an accomplished piece of work.
The end for Tap began with tragedy: Gene Redd passed unexpectedly early in 1983 from a frightening illness that as yet had barely been named: AIDS.
Deeply misunderstood, the disease was half a decade away from even primitive treatments, and Redd was gone before anyone knew he was sick.
Without Jeremiah’s genius-muse, there wasn’t much hope for the future of his productions. Soon after, Jeremiah severed his business relationship with Jackie Stoudemire.
He arrogantly explained to her parents that she was “afraid of success,” but it wasn’t difficult to read between the lines: Their parting had everything to do with Jackie’s dismissal of the Brotherhood.
Jackie graduated from high school in 1983 and went immediately to performing arts college, after which she spent years as a somewhat successful stage player.
Her hit finally came in 1994 when she signed to the Eightball label and blew up the club charts with “Appreciate.”
Like the other youth Yisrael recruited, Stoudemire grew up in Harlem, not far from the temple, and attended the High School of Music & Art with Annette Denvil.
By 1982 standards, Jackie was patently hip, hanging with schoolmates Dana Dane and Slick Rick’s Kangol Crew.
In Jeremiah’s eyes, she combined the perfect trait set: mature talent and work ethic with youth and impressionability.
Within a few months, she was in-studio with Redd and Yisrael, where she would spend the lion’s share of 1982.
Jeremiah was putting significant dollars into the recordings, using dozens of musicians for every session (purportedly Barry White’s Love Unlimited Orchestra), sometimes spending weeks perfecting the backing tracks.
He upgraded studios, recording primarily at Right Track and Power Station, neither of them known for their affordability.
The raw sound of Arnie Love’s Mayfair session just a year before became a distant memory. Ten songs were recorded over the course of the year, including a remake of Love’s “Invisible Wind,” with crisper strings and a simpler arrangement.
Jackie’s voice was cool and sure, not a hint of her age coming through the mix.
The real nugget was “Guilty,” one of the last songs Gene Redd would ever pen and some of the finest production work in a career that spanned four decades.
Stoudemire was totally immersed in Jeremiah Yisrael’s life, even picking up shifts at T&T for walking-around money.
Naturally, Jeremiah insisted that she join the temple.
She attended a service, but it clearly wasn’t her scene.
The sect forced subservience on women through dress and required them to walk three paces behind the men—concepts alien to a child of 70s New York City.
At the time, Jackie’s choice was no problem for Jeremiah.
They logged eight to ten hour days in the studio, culminating at the beginning of 1983 when her 12” was given a limited issue on the Tap label, along with the Missy Dee & the Melody Crew 12” (relegated to the Universal label, to separate it from the more polished material).
Again, lack of distribution and promotion killed the pressing, but Jackie still felt good about it. For a woman of any age, it was an accomplished piece of work.
The end for Tap began with tragedy: Gene Redd passed unexpectedly early in 1983 from a frightening illness that as yet had barely been named: AIDS.
Deeply misunderstood, the disease was half a decade away from even primitive treatments, and Redd was gone before anyone knew he was sick.
Without Jeremiah’s genius-muse, there wasn’t much hope for the future of his productions. Soon after, Jeremiah severed his business relationship with Jackie Stoudemire.
He arrogantly explained to her parents that she was “afraid of success,” but it wasn’t difficult to read between the lines: Their parting had everything to do with Jackie’s dismissal of the Brotherhood.
Jackie graduated from high school in 1983 and went immediately to performing arts college, after which she spent years as a somewhat successful stage player.
Her hit finally came in 1994 when she signed to the Eightball label and blew up the club charts with “Appreciate.”
lundi 9 novembre 2009
Steve Watson - Boogie , I Was Born To ! (ShortVersion)radio live
Are you born for the music ?
Are you born to boogie ?
Are you romantique with the beat ?
If you say yeah , this sound is for you
Are you born to boogie ?
Are you romantique with the beat ?
If you say yeah , this sound is for you
a spécial edit short version live
a long version arrives for the end of the years ,
a long version arrives for the end of the years ,
Good Time to All
vendredi 6 novembre 2009
Boule 'Dwight Druick' Noire - Comme Deux Amoureux (Georgy Porgy)

Boule'Dwight Druick' Noire - Comme Deux Amoureux(Georgy Porgy) 1980/2009 by Funky Remix
From the canada the band Dwight Druick
Original version is from "TOTO" with Cheril lynn on back vocal .
French version here writte by Mrs Boule Noire in1980
just a little re- fixed in this end of year , appreciate .
Original version is from "TOTO" with Cheril lynn on back vocal .
French version here writte by Mrs Boule Noire in1980
just a little re- fixed in this end of year , appreciate .
The N.J.Connection - S.O.S. Of Love_____(don't come easy) 1981/2009

The N.J.Connection - S.O.S. Of Love(don't come easy) by Tonton Decibel lll
Edward Saunders, visionary and founder of Merle Art Music Productions, was born and raised in Newark NJ the knee baby, fourth out of five children from parents Naomi and Charles Saunders.
Early on, Eddie received his musical influences from his mother.
At the tender age of ten, Eddie discovered he was a natural born drummer and later expanded his love of percussion by playing the piano.
After much growth and evolution, his local church accepted the art of drumming and as a young boy added him to their roster of paid musicians.
His travels as a percussionist began a journey of networking and afforded him the opportunity to do studio work with such greats as Donnie Harper and the Voices of Tomorrow and Charles Stewart and the Good News Singers.
These experiences ignited a career as a musical producer working with various singers in multiple capacities: provided vocal training for Tisha Campbell, wrote and produced music for the young Raven Simone, wrote and arranged “Baby Please be Mine” by Regina Bell, collaborated on projects with the likes of Dave Pic Conley of Surface, Gwen Guthrie, Cuba Gooding Sr., Mary J Blige, Paul Gainer, Blue Lovett of the Manhattans, Whitney Houston, Billy Baker, John Simmons and a host of other artists.
In his musical endeavors, he founded the group
The N.J. Connection which birthed the hit single, Love Don’t Come Easy which overseas landed him the # 10 spot on London’s charts and in the # 50s spot in NY in the 1980s.
Most recently, Eddie Saunders most prized accomplishment is his service as lead musician for the Praise and Worship Team at Saint John’s Community Baptist Church.
Early on, Eddie received his musical influences from his mother.
At the tender age of ten, Eddie discovered he was a natural born drummer and later expanded his love of percussion by playing the piano.
After much growth and evolution, his local church accepted the art of drumming and as a young boy added him to their roster of paid musicians.
His travels as a percussionist began a journey of networking and afforded him the opportunity to do studio work with such greats as Donnie Harper and the Voices of Tomorrow and Charles Stewart and the Good News Singers.
These experiences ignited a career as a musical producer working with various singers in multiple capacities: provided vocal training for Tisha Campbell, wrote and produced music for the young Raven Simone, wrote and arranged “Baby Please be Mine” by Regina Bell, collaborated on projects with the likes of Dave Pic Conley of Surface, Gwen Guthrie, Cuba Gooding Sr., Mary J Blige, Paul Gainer, Blue Lovett of the Manhattans, Whitney Houston, Billy Baker, John Simmons and a host of other artists.
In his musical endeavors, he founded the group
The N.J. Connection which birthed the hit single, Love Don’t Come Easy which overseas landed him the # 10 spot on London’s charts and in the # 50s spot in NY in the 1980s.
Most recently, Eddie Saunders most prized accomplishment is his service as lead musician for the Praise and Worship Team at Saint John’s Community Baptist Church.
Just Listen now!!!!
Libellés :
edit disco dance
C.J. & Co - 1977 Devil's Gun __________westbound rec.__
C.J. & Co comprised of two female singers (Joni Tolbert and Connie Durden) and three male singers (Charles Clark of Floaters, The, Curtis "CJ" Durden and Cornelius Brown Jr.).
withe terrible song ' devil's gun !!"
Booker Newberry III -1984 Love Town ____________POLYDOR

Booker T. Newberry III
Born: January 19, 1956, Youngstown, Ohio.
In Groups:Sweet Thunder
funk/disco/dance lp with the magic ' love town'
""evrybody ,
need somebody ,
to love .... ""
Born: January 19, 1956, Youngstown, Ohio.
In Groups:Sweet Thunder
funk/disco/dance lp with the magic ' love town'
""evrybody ,
need somebody ,
to love .... ""
Gregg Diamond - 1978 Star Cruiser _____________ MARLIN REC\
Gregg Diamond /Greggry Oliver Diamondb. 1949, New York City, New York State, U.S.A.
d. 14th March 1999
In Groups : Gregg Diamond Bionic Boogie
disco lp ,
thank's to henry stone
maybe the first solo for him ?
Jayson Hoover - 1975 J.H._________(Mushroom Rec./Canada)__
The album was produced by "Mike Flicker" who shortly afterwards produced the first Mushroom recording session for "Heart", of which Newcombe & Maxwell played on.
The one track "How Deep It Goes" from this session is on Heart's "Dreamboat Annie" Album.
Jayson Hoover n Stuff disbanded in the Spring of '76.
(Notes Not to be confused with Mushroom Records [AUS] or Mushroom [GBR] )
David Joseph - The Joy Of Life / 1983____________Island Rec.
David Nathaniel JosephEx keyboards/lead vocals with Hi-Tension
before beginning a solo career early 1980.
the voice !!!
with the impact "you can't hide..."
magnifique ,
amazing remix from larry levan
on the 12inch B side french Rec.
you can't hide coz" now you know that ! in fact .
with the impact "you can't hide..."
magnifique ,
amazing remix from larry levan
on the 12inch B side french Rec.
you can't hide coz" now you know that ! in fact .
samedi 31 octobre 2009
Van Twist - Hot Wax (long version)
Van Twist - Hot Wax (long version) by Funky Remix
terrifict B side ,
find in london in 1995 ,
here the long version only on the white vinyl i m think ,
more than five minutes..
find in london in 1995 ,
here the long version only on the white vinyl i m think ,
more than five minutes..
James Epps - Be Right There ('D' Touch Mix)
James Epps - Be Right There ('D' Touch Mix) by Tonton Decibel lllB side on Hollywood bound rec.
he's member from the band Fantastic Four !
enjoy & be happy / our dj the'D' touch.
he's member from the band Fantastic Four !
enjoy & be happy / our dj the'D' touch.
jeudi 22 octobre 2009
Woolfy - Odyssey 12INCH
Woolfy - Odyssey 12INCH by Funky RemixSimon James aka woolfy donc
il y a trois groupe dont il fait parti '' Persica'' , ''Projections'' et ''Rolasoul''
from the 2009 LP ; it's from 2007 on 12 inch vinyl ,
il y a trois groupe dont il fait parti '' Persica'' , ''Projections'' et ''Rolasoul''
from the 2009 LP ; it's from 2007 on 12 inch vinyl ,
mardi 13 octobre 2009
Admirations & Dino B. - You know it

Admirations & Dino B. - You know it by Tonton Decibel lll
7inch of the band The Admirations who play also
' groove town' ,
but this one , is a pur' dope !
' groove town' ,
but this one , is a pur' dope !
dimanche 11 octobre 2009
D Train - Music is the Key...

D Train - Music is the Key... by Tonton Decibel lll
Born in Brooklyn (New York) James William (D'Train) began i'ts singer's career at the age of 6
in the choirs of school choirs and in the churches.
At the High school, he meets Hubert Eaves with whom he establish (or build)
the group " D- Train "
(pen name which James acquired as player of football to the grammar school and which says:
" when you strike, you feel the effects of the train! ")
in the choirs of school choirs and in the churches.
At the High school, he meets Hubert Eaves with whom he establish (or build)
the group " D- Train "
(pen name which James acquired as player of football to the grammar school and which says:
" when you strike, you feel the effects of the train! ")
samedi 10 octobre 2009
Fania All Stars - Que Pasa ? (full lp version )

Fania All Stars - Que Pasa by Tonton Decibel lll
the spanish/brazil music of the new york band from 1978 lp spanish fever,
absolutely magic !!!
Our dj The 'D' Touch
absolutely magic !!!
Our dj The 'D' Touch
mardi 6 octobre 2009
Jean Carn(e) aka Sarah Jean Parker - Was That All It Was (Edit)

Was That All It Was (Disco Crystal Edit) by unidisco
Here a special edit of the original version from :
David Shaw, Montreal, Canada
dimanche 4 octobre 2009
T-Connection - Girl Watching (Rework)

T-Connection - Girl Watching (Greymatter Rework) by greymatter
direct from the 81's LP ' Pure & Natural'
awesome edit only for______________________------------ y o u !
awesome edit only for______________________------------ y o u !
Nightlife Unlimited - Tell Me (...That You Loft Me) Edit)

Tell Me (...That You Loft Me Edit) by unidisco
Terrific version from the Nightlife Unlimited LP Just Be Yourself(1980)
Canadian band for disco lovers !
! admirate !
Canadian band for disco lovers !
! admirate !
vendredi 2 octobre 2009
Funk Machine - Dance On The Groove (And Do The Fool !reedit )
Funk Machine - Dance On The Groove (And Do The Fool !reedit ) by Tonton Decibel lllA total full and fool edit from my friend Analog82 aka Rob Fahey,
Brighton (UK) & The 'D' Touch, Perpignan city (FR)
good time to all brothers & sisters , our dj the 'D' Touch.
Brighton (UK) & The 'D' Touch, Perpignan city (FR)
good time to all brothers & sisters , our dj the 'D' Touch.
mardi 29 septembre 2009
STIX HOOPER - GIMME SOME SPACE (full lp version) 1982

Stix Hooper - Gimme Some Space by Funky Remix
member from the crusader , a solo lp for him with Producer - Joe Sample , Stix Hooper , Wilton Felder ,
good time bros. & sis.
good time bros. & sis.
mardi 22 septembre 2009
Made In U S A - Shake Your Body (12inch Remix)
Made In U S A - Shake Your Body by Funky Remix
Six Man and a Women , listen good when she's crying
A pure sexy disco dance for the only lp of this band ,
with members from crown heigh affair and the strikers too !
enjoy bro.&sis.
A pure sexy disco dance for the only lp of this band ,
with members from crown heigh affair and the strikers too !
enjoy bro.&sis.
dimanche 13 septembre 2009
SHANGAI SHOW ( in da mix ! )
SHANGAI Show (in da mix funk & disco dance )JUIL. 2009 by Tonton Decibel lll
A Mix Show From France , place de la martinique 66420 ,
on a pub who's got name ' the shangai '
more than one hour of music ,
our dj the ' D' touch ,
good time .
thank's to Thierry & Aurore.
lundi 7 septembre 2009
Stevens Bros - Smoke And Fire (DUB)
amazing 7INCH from 83 , a dub version here , enjoy ...Stevens Bros - Smoke And Fire (DUB) by Tonton Decibel lll
mardi 1 septembre 2009
Intrigue - I Like It (CrazyRemix)
CRAZY REMIX OF THAT PURE DOPE ...bubble up don t stop ! Intrigue - I Like It (CrazyRemix)I by Tonton Decibel lll
samedi 29 août 2009
G One Ft Dj AK - We Love You (D Touch Mix)

A PROJECT STUDIO FROM MID 2000 ... THE FRENCH TOUCH G FUNK !
G One Ft Dj AK - We Love You (D Touch Mix) by Tonton Decibel lll
Saint Tropez - Belle De Jour 12INCH 1978
Laurin Rinder & Michael Lewis PRODUCTIONST Tropez - Belle De Jour by Funky Remix
| Laurin Rinder & Michael Lewis | |
| Profile: | During the mid to late seventies the production team of Laurin Rinder and W. Michael Lewis helped to define the Disco sound that was coming out of Los Angeles with studio projects as El Coco, Saint Tropez, Le Pamplemousse and countless others. At the height of their fame in the late 1970's they produced several concept albums as Seven Deadly Sins and Warriors under their own names Rinder & Lewis. |
Barry White - You're the one I need (1979)


Barry White - You're the one I need (1979) by Funky Remix
| Barrence Eugene Carter | |
| : | Born : September 12, 1944 in Galveston, TX, United States Barry White, the legendary R&B singer whose smooth, deep baritone set the standard for romantic crooners for years to come, died on Friday the 4th of July, 2003 after a lengthy battle with numerous health problems. He was 58. |
vendredi 28 août 2009
Rose Royce - Best Love (Special Extented Mix)
Rose Royce - Best Love (Special Extented Mix) by Tonton Decibel lllA CONTRAST MIX EDIT FROM THE 12INCH AND LP VERSION ...
GOOD TIME BRO. & SIS .
mercredi 26 août 2009
Greg Perry & Laura Lee - Love Got Me Tired (But I Ain't Tired Of Love) 7INCH


!!!A MAN AND A WOMEN FOR PERFECT HARMONY !!!! Greg Perry & Laura Lee - Love Got Me Tired (But I Ain't Tired Of Love) by Funky Remix
FABULOUS 7 INCH ON ARIOLA USA /TWO PRESS A PROMO DJ AND THIS ONE
ALSO ON THE LP FROM Greg Perry - 1975 One for the Road (Casablanca REC.)
GOOD TIME BRO.
Joe Simon - Are We Breakin' Up (FULL LP 1981)

Joe Simon - are we breakin' up FULL LP by Funky Remix
S O U L but real and deep soul with :
------------------monsieur Joe Simon the M A S T E R !!!!
direct from the 1981 LP Glad You Came My Way ....
(it s not the short 7inch but the full version )
Good Time Brothers Ans Sisters .
Our Dj The 'D' Touch.
Bad Child - Sweat (choo do be) Decca Rec. 1974

Bad Child 05 - sweat (choo do be) 7 11 by Funky Remix
From the faboulus LP 'First Fight' the sound Afro / Funk French
with member of Afro Lafayette Band !!!
Be Carefull Bro. coz it's a very ----D a n g e r o u s ---- beat .........;
samedi 22 août 2009
Carrie Cleveland - Love Will Set You Free / Make Love To Me
Make Love To Me------------ ) here
Carrie Cleveland - Love Will Set You Free + by Funky Remix
Love Will Set You Free----------) here
Dig that afro! An obscure late-70s recording by Oakland resident Carrie Cleveland.
Cleveland was a regular performer cabarets and hotels around the Bay Area.
Still an interesting modern soul album that is apparently rare enough
that some locals don't even know it exists.
Satisfaction Unlimited - Think Of The Children LP 1972

| A1 | Bright City Lights | |
| A2 | I Know It´s Love | |
| A3 | Spread Your Love Around | |
| A4 | Let´s Change The Subject | |
| A5 | Think Of The Children | |
| B1 | Time For Us | |
| B2 | Somebody Else´s Woman | |
| B3 | Why | |
| B4 | Seeing You Through The Eyes Of A Blindman | |
| B5 | Don´t Call Me, I´ll Call You | |
| B6 | Come On Back |
Carolyn Franklin - I'd Rather Be Lonely LP 1973

Credits: Arranged By, Conductor - Wade Marcus Producer - Carolyn Franklin , Wade Marcus Recorded By, Mixed By - Jim Crotty , Tom Brown, Jr.
| A1 | Boy I Love You (2:38) | |
| A2 | As Long As You Are There (3:44) | |
| A3 | I Won't Let You Go (4:02) | |
| A4 | Darling I'd Rather (3:11) | |
| A5 | Don't See Him Much No More (3:28) | |
| B1 | Fire & Rain (3:22) | |
| B2 | Dad (3:29) | |
| B3 | I Want To Be With You (3:19) | |
| B4 | My Heart Sings (2:14) | |
| B5 | Sweet Naomi (3:12) | |
| B6 | Baby I'm A Want You (2:37) |
Fred Hughes - Baby Boy LP 1969

| A1 | OO Wee Baby I Love You (3:58) | |
| A2 | The Son Of Hickory Hollow's Tramp (2:25) | |
| A3 | In My Time Of Need (2:08) | |
| A4 | Georgia On My Mind (4:47) | |
| A5 | Baby Boy (2:50) | |
| B1 | I Understand (2:44) | |
| B2 | San Francisco Is A Lonely Town (3:00) | |
| B3 | Don't Let This Happen To Us (2:33) | |
| B4 | Who You Really Are (3:19) | |
| B5 | People (6:13) |
The Moments - Those Sexy Moments LP 1974

TheMoments, | |||||||||||||||||||||||||||||||
Al Goodman, Harry Ray, William Brown
| |||||||||||||||||||||||||||||||
Al Johnson - Peaceful LP 1978
Credits: Arranged By - Al Johnson Artwork By - Debra Martinez Franqui
Backing Vocals - Al Johnson , Jackie Farmer , Terry Huff
Bass - Bernard Miles , Paul Martinez
Drums - Ahmed Ali , Bernard Purdie , Herman Ernest* , John Susewell*
Engineer - Edison Youngblood , Skip Godwin , Ted Bodnar
Executive Producer - Eric McCaskill
Guitar - Leo Nocentelli , Rodney Brown , Teddy Royal , Theodore "Sugarbear" Jones
Horns - American Star Orchestra, The
Keyboards - Al Johnson , Arthur Jenkins , Rick Arronz
Percussion - Gregory Gerran , Jim Maelen* , Pancho Morales
Photography - John Dentato
Producer - Al Johnson , Lloyd Price , Nate Adams (2)
Strings - American Star Orchestra, The
Synthesizer [Moog] - Al Johnson
Vibraphone - American Star Orchestra, The
| A1 | I've Got My Second Wind (4:50) | |
| A2 | Come Check Out This Love (4:30) | |
| A3 | Peaceful (4:24) | |
| A4 | It's Not Too Late (To Start Again) (3:33) | |
| B1 | I'll Do Anything For You (5:02) | |
| B2 | Since You Walked Out Of My Life (3:43) | |
| B3 | Let Me Love You (Like You Want To Be Loved) (4:35) | |
| B4 | Let's Go Home Together (5:22) |
100 Proof Aged In Soul - 100 Proof LP 1972
Credits: Arranged By - H.B. Barnum , McKinley Jackson , Paul Riser Producer - General Johnson , Greg Perry
Producer, Executive Producer - Ron Dunbar
Recorded By, Mixed By - Barney Perkins , Ed Redd , Jerry Hall
| A1 | Everything Good Is Bad (4:53) | |||
| A2 | Since You Been Gone (3:50) | |||
| A3 | Nothing Sweeter Than Love (3:50) | |||
| A4 | Ghetto Girl (3:47) | |||
| B1 | Words (3:56) | |||
| B2 | I Don't Care If I Never Get Over You (3:59) | |||
| B3 | Don't Scratch Where It Don't Itch (3:46) | |||
| B4 | Don't You Wake Me (3:39) | |||
| B5 | Never My Love (4:02) |
jeudi 20 août 2009
Johnnie taylor - your love is rated x (1977)
découvert surtout en 76 avec son fabulous' disco lady' , un artiste fantastique qui chante depuis debut 60 tout de meme ! un des pilier de
l enorme label stax rec jusqua la fermeture en 75 , voila une ballade superbe ... un des dernier gros titre axer plus dance sortira en 84 ! bonne dégustation amigos !!!!!!!!!!!!!!!!!!!!!!
100 Proof Aged In Soul - nothing sweeter than love (1972) hot wax
100 Proof Aged In Soul - nothing sweeter than love (1972) hot wax sélectionné dans Musique et Soul / Funk / Disco
Seul deux lp pour ce fabuleux groupe du début 70 avec a la production Mrs Greg Perry et un peu du General Johnson sur ce lp , pour les pur lover de la soul musique , un régal a b s o l u
vendredi 7 août 2009
A.S.A.P. Band - Watch Me(Baby) RemiX
My last remix for the summer /dernier remix de l"été
..........une perle venu de l'inconnu , bonne dégustation evrybody , our dj the 'D' touch.
BLESS THE MUSIC ALL DAYS ALL NIGHTS .....................
samedi 20 juin 2009
John Davis & Too Much - robot Baby Jane 1984

From 1984 LP , a elektrik music the last song ,
the great john davis member of Milli Vanilli ,
do you remember John Davis & The Monster Orchestra ?
Marché Noir - Y'a Du BluesY'a Du Blues (Tant Pis,C'est La Vie) (B side 1984)
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